It’s rare for an artist to bridge the divide between critical acclaim and dedicated fan engagement. Chris Pureka is a Portland-based singer-songwriter whose body of work has resonated deeply with these seemingly disparate milieus. Her bold vulnerability in processing the intimacies of her life in song has long appealed to those listeners who crave authenticity. Now, five years coming, she shares with us another powerful entry in her life’s work, her sixth release, the aptly titled, Back in the Ring.

Chris’s elegant emotionality as a vocalist, and her flair and immediacy as a lyricist have garnered her favorable comparisons to Gillian Welch, Ryan Adams, Bruce Springsteen, and Patty Griffin. She’s earned accolades from such distinguished taste-making outlets as The New York Times, Paste, Magnet, Billboard.com, and The AllMusic Guide. She’s shared the stage with such diverse and esteemed artists as Dar Williams, The Lumineers, The Cowboy Junkies, Gregory Alan Isakov, Martin Sexton, and Ani DiFranco.

Chris’s journey in music mirrors her path toward self-discovery. At 16, writing songs became a way of journaling. “I was shy and introverted, and songwriting was a very personal process. I never had any intention of performing,” she shares. Post high school, she went on to complete a biology degree at Wesleyan University, and afterwards, worked in a microbiology research lab at Smith College. Meanwhile, she established a music career parallel to her biology work through touring and issuing a clutch of well-received indie releases. In 2006, when Chris found herself turning down too many opportunities as a musician, she shifted her priorities to become a full-time artist.

Her latest album, Back in the Ring, is Chris’s first studio full length since 2010’s critically acclaimed How I Learned to See in the Dark. “I’m not interested in releasing songs I can’t get behind or records I don’t love,” she says of the five-year span between albums. The title of her latest playfully suggests something of an artistic comeback, but it also references the album’s themes of relationship conflict and making the decision to fight back against dark inner demons.

“My music is the outward expression of the work I’m doing internally. What I do comes from my experiences, and I strive to express these experiences authentically. Speaking my truth, and being myself, is the way that I connect with people,” Chris confides.  Her rise as an esteemed artist with captivating emotional integrity has been organic and always on her own terms. For someone who never had an intention of being a professional musician, it’s been a life of far-reaching changes and unexpected rewards.

“As timeless as Bob Dylan or Patty Griffin, and with a grace not unlike Gillian Welch” – New Noise Magazine

“If her instruments act like sonar, expanding to fill any room and find every crevice, her voice is a single directional beam” – NPR

“Dynamic, breathy vocals a la Chan Marshall.” – Magnet

Named to the Chicago Tribune’s “50 Most Significant Songwriters in the Last 50 Years,” Austin, TX-based singer/songwriter Danny Schmidt has amassed a cult following for his stunningly poetic, poignant imagery. With lyrical depth drawing comparisons to Leonard Cohen, Townes Van Zandt, and Dave Carter, Schmidt is considered a preeminent writer, an artist whose earthy poetry manages to somehow conjure magic from the mundane, leading Sing Out Magazine’s proclamation that: “Schmidt is a force of nature: a blue moon, a hundred-year flood, an avalanche of a singer-songwriter. His songs are a flood of poetry, mythology, folk wisdom, and surprise. He is perhaps the best new songwriter we’ve heard in the last 15 years.”

Performing solo almost exclusively, armed with just his voice, his acoustic guitar, and his acute commentary, Schmidt’s an authentic timeless troubadour, one man sharing his truth in the form of songs, unadorned and intimate. The understated effect can be startlingly powerful. As songwriter Jeffrey Foucault put it: “Everything about the man is gentle, except for his capacity for insight, which is crushing.”

After garnering unanimous critical praise for his self-released Parables & Primes album in 2005, Schmidt’s follow up release, Little Grey Sheep in 2007 began a streak of albums that charted at #1 on the Folk Radio Charts internationally. And on the heels of being crowned with one of the prestigious Kerrville New Folk awards in 2007, Schmidt won the notice of venerable Americana roots label, Red House Records, who began releasing his albums in 2009, alongside such notable artists as Greg Brown, Eliza Gilkyson, Jorma Kaukonen, and John Gorka, thus exposing his music to a broader audience.

Schmidt released three albums on Red House Records, including the critically acclaimed debut Instead The Forest Rose To Sing in 2009, the spare and intimate Man Of Many Moons in 2011, and culminating with the amorous duo album For Keeps with his partner, Carrie Elkin, in 2014.

Schmidt’s latest release is a mystical collection of ethereal allegories entitled, Owls, released in mid-2015.

The Fargo Railroad Co. are a southern rock / americana inspired 4 piece band from Sheffield, UK.

Established in 2013 they have already gathered a loyal fan base and continue to add to their numbers playing shows throughout the UK.
What is clear is that these boys enjoy being on stage and love playing the music they are producing.

They share a distinct and united love of music with a breadth of appreciation that is truly eclectic – all of this has come together to form their current sound, which has settled in the broad and deep ocean of Southern Rock. Looking at the mighty works of Lynyrd Skynyrd, The Marshall Tucker Band, ’38 Special etc, doffing a cap to the sweet 70’s sound of Cash, Young, Dylan whilst bringing in more contemporary vibes of Blackberry Smoke and Jason Isbell.